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Blesok no.23 | volume IV | October-November, 2001 |
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 SLOVOKULT.DE BALKANI OKF |
Politics and Poetics of Hélène Cixous
What makes reality fascinating is the imaginary catastrophe that hides behind it. |
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(pdf)
| Cixous: | Haraway: |
| activity/passivity | self/other |
| seed/receptacle | mind/body |
| culture/nature | culture/nature |
| head/heart | civilized/primitive |
| logos/pathos | reality/appearance |
| form/matter | whole/part |
| intelligible/sensitive | agent/resource |
| convex/concave | right/wrong |
| Sun/Moon | truth/illusion |
| day/night | total/partial |
| Father/Mother | God/man |
| man/woman | male/female |
We are all taught to think in this dialectical sytem. The oppositions seem “natural”. “Naturally”, man is superior to woman, as Father is superior to Mother, mind to body, culture to nature, and so on. Colectivly or individually, we remember nothing but the history of opressions. All the discourses, including literature, carry on the message that this history is our destiny, that it always has been and always will be. “The same thread, or double tress leads us, whether we are reading or speaking, through literature, philosophy, criticsm, centuries of representation, of refelction.” (Sorties, 287) The language itself is a language of hierarchized binary oppositions as long as signifiers come in couples and they too often do. And so do our metaphors, revealing an opressing reality. According to my understanding, what Cixous is saying is that we learn to accept this "reality", and therefore we can "unlearn" it. As a start, we can make an effort to reject the language of oppression, tell the stories differently and the reality will start to transform too. Cixous definitely made this effort – her experimental essays reject genre classification, subvert phallocentrism and offer liberating ideas about women and the practice of writing. Here I will present the most important points.
The main implication of Cixous's metaphor of phallocentrism as a machine3, as I see it, is that those who are subordinated in that “machine” of phallocentrism, as are women, are actually themselves parts of the machine, they keep it going too, and only they are capable of breaking it, not those who are privileged. The breaking starts when we become conscious of the way we are inferiorized and used in the symbolic and the social hierarchy and when we act against the hierarchies themselves. In Cixous’s opinion, a way to act is to write, which women, at the point when Cixous was writing, had not yet done as women.
"I shall speak about women’s writing: about what it will do. Woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies – for the same reasons, by the sam law, with the same fatal goal. Woman must put herself into text – as into the world and into history – by her own movement." (Medusa, 245)
In the quoted opening lines of “The Laugh of the Medusa”, we can read most of Cixous’s central points about l’écriture féminine, the points she repeats in “Coming to Writing” as well.
1) Woman must write her self – even though it includes writing about women, it is not enough to have a woman’s life story as a topic, the most important thing is to constantly invent the self and therefore not to conform to stereotypes, never forgeting that the self is multiple and ultimately indefinable (Cixous sees it as an “ensemble”).
2) Writing should be (and is) close to the body, and the desire. “I, too, overflow; my desires have invented new desires. My body knows of unheard-of songs.” (Medusa, 246). The self and the body are so closely interrelated, that the body cannot be reduced to the biological. As our selves, our bodies are also historically, socially and culturally determined (constructed), and although it seems that we constantly resist that determinaton, the final goal (dream?) is to break free and, again, invent.
3) Cixous sees the main difference between traditional male creativity and l’écriture féminine in the "libidinal economy". The term itself is inclusive of traditionally two completely separate things: libido and economics. Indeed, what is the connection? First, it is necessary to understand libido as more than the sexual urge, it is rather – "lust for life". Economics should be understood as something more than the distribution/exchange of material wealth, it is rather an exchange of power and pleasure. A libidinal economy can be calculated so that the return is greater that the gift, or it can be process-oriented, rejoicing in giving, without thinking about the end result – the return; without conuting on the return.
4) New women’s writing could be understood as a metaphor for action, rebellion in the larger liberation movement, and therefore we can have l’écriture féminine in literature, arts, academia, politics, economics etc.
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1. Cixous ofter refers to Lacan and Freud, therefore the symbolic "phallus". Additionally, critics (see: Toril Moi) notice that Cixous ows a lot to Derrida, namely his analysis of binary thinking characteristic for logocentrism (Derrida's term), and also his concept of differance. Cixous often invents neologisms, and phallocentrism is one. Another one is the verb that is translated into English as "to hierarchize" and I use this word my text too.
2. I would like to add at the very beginning one thing, very obvious and yet very obscured. At present times, in the feminist critique of the system, we should never fail to address the subordination of the people of color to the white people (racism), as well as the older condition of the subordination of the poor people to the rich, the persistant subordination of the gay/lesbian/queer people to the heterosexuals and the curious subordination of both the young and elderly people to the people "in their prime". You cannot address one problem and leave another one "for later". In that respect, no one is "innocent", not those who critique the system or those who support it. Sexism/male chauvinism, racism/white supremacy, classism/exploitation of the poor, ageism/putting the young down and heterosexism all work together to "maintain the machine". This could, ideally, be the platform for solidarity among all of the opressed. In practice, it works as a dividing force.
3. Of course, it is a metaphor which is not at all uncommon in human imagination before and after Cixous.
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